In a previous post I included an opera scene, in which a woman mentions (sings!) that at times she stops all the clocks in her house. She dreads getting old and wants time to stand still. One reader told me this reminded him of a poem by W.A. Auden which begins:
Stop all the clocks, cut off the telephone.
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
But here the motive for stopping the clocks is different. Someone has died, and stopping the clocks in the house of the deceased, silencing them, is an old tradition, similar to closing the blinds or curtains and covering the mirrors. The clock would be set going again after the funeral. Some people believe stopping the clock was to mark the exact time the loved one had died. The subject was discussed here by members of the NAWCC, the National Association of Watch and Clock Collectors in America.
The French film Jean de Florette, set in the Provence between the wars, contains such a clock-stopping scene. The film is made after a novel by Marcel Pagnol, from which the following quotes are taken.
Jean, an outsider, inherits a house with surrounding land and hopes to make a living there. But two locals, who covet his land, secretly block a source, cutting off his vital water supply. In despair, Jean uses dynamite to create a well, but he dies as a result of the explosion (chapter 37). The doctor, taking his pulse,“listened for a long time in a profound silence emphasized by the ticking of the grandfather clock”, but the man had died. Then one of the two devious locals, who was in the room, “crossed himself, walked around the funeral table on tiptoe, and stopped the pendulum of the grandfather clock with the tip of his finger”. He then tells his comrade in arms “Papet, I have just stopped the grandfather clock in Monsieur Jean’s house” – a way of saying: he is dead.